Schooling Your Horse
Ideas and tips on all aspects of riding for riders of any level. A different schooling idea each week. All comments, questions and suggestions welcome.
Schoolyourhorse has joined forces with http://hay-net.co.uk/ and I'll be there to answer your equestrian problems whatever they may be. Look me up under Anything Equine Agony Aunt!
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THE SCHOOLYOURHORSE BLOG HAS MOVED!PLEASE CLICK ON THE BADGE BELOW TO GO TO THE NEW SITE WHICH NOW INCLUDES A SHOP AND A FORUM AND ALL NEW BLOG POSTS AFTER 1/3/12. THANK YOU FOR YOUR CONTINUED SUPPORT.
Friday, 2 March 2012
New Post - New Site
The schoolyourhorse blog has now moved. This week's post can be found here - http://www.schoolyourhorse.com/2012/03/03/show-schedule/ It's all about warming up at a show and how the way you do it affects your horse. For all future posts please click on the logo above to go to the new site at www.schoolyourhorse.com Thank you :)
Posted by Unknown at 23:43 3 comments
Saturday, 25 February 2012
Thumbs Up or Down?
Great news! On Thursday 1st of March a new schoolyourhorse site opens at www.schoolyourhorse.com This blog will still be a central part of it but there are two new additions. With massive support from http://esequine.co.uk a new range of downloadable schooling guides will be launched from the SYH shop.
The Get Started, Teach Yourself and Read to Succeed series are perfect if you need to brush up your skills, you’re looking for help with a problem or you want to know the finer details of a dressage test. At 99p they’re sure to suit everyone’s budget.
It’s early days and there are just two guides per series at present but more guides are in the pipeline. The aim is to produce at least one new title per month. There ought to be something that suits you or your horse but if it’s not there - ask! It could be in the pipeline or you could inspire a new idea.
Regular readers of this blog will appreciate it’s all about positive thinking and riding. Have you succeeded with your horse when those around you were sure you’d fail? Why not share your story on the schoolyourhorse forum? Or if you do buy one of the guides please share your thoughts on its contents, how the series could be improved or any new ideas that you think would be helpful.
I’d just like to thank everyone who has supported the blog so well over the last year. Riding is all about confidence and self belief – so is writing! Those of you who have been so positive about SYH have given me just that. THANK YOU J
Anyway – back to business -
Most riders have heard the expression “Thumbs on top” but on top of what exactly? There are two things guaranteed to have a negative effect on your horse. One is the where you put your thumb. The other is how you hold it.
All riders know they shouldn’t carry their hands as if they’re pushing a pram. Their thumbs should be on top of their fist. That’s the general position anyway. But the more you relax in the saddle and start to trust your horse the more habits you get.
Next time you ride concentrate on your hands. Where is your thumb exactly? Is it on top of your rein or your hand? It’s easy to wrap your thumb around your rein rather than clamp it on top. Don’t think it matters? Are your reins always too long? How many times do you shorten them in a session? Where does your whip point? It should be pointing diagonally back and down towards your horse’s hocks. Is it lying straight down his shoulder like a baton? Are your fingers closed around your reins or open?
A loose or intermittent contact isn’t a good one. Nor is it kind to your horse. Imagine having a bit in your mouth and not knowing when the next tug is coming. Take hold of both reins, clamp your thumb down on top of the reins and let him know exactly where you are. Then he’ll be able to relax.
If your elbows are bent and next to your body there should be a straight line from your elbow through your arm, down your rein to the bit. If your reins are too long you’ll draw your hands back to get a contact. Your elbows have to go somewhere so they stick out to the side. Instantly the line is broken and the tension in your arms goes straight down the reins to the bit. Your horse will tighten his mouth round the bit to avoid the pressure. The next time he pulls think twice before you blame him.
Your thumb should point towards the bit. It will have a huge effect on your horse. Take a look at yours. There’s every chance it points upward towards his eye or his ear. If it does your rein will be supported by your third finger. There will be a ‘kink’ in your wrist that tips your hand up and back breaking the direct line to the bit.
The pressure from this ‘kink’ creates a backward pressure on the bit. Your horse will tighten his mouth against it and tighten his jaw and poll. Tip your thumb forward and down so it’s pointing towards the bit. Your wrist will straighten up and relax which removes any tension from your arm. Your horse’s reaction will be instant. He’ll relax.
Breaking any habit is hard work but this is one that will have a dramatic effect on your horse. It will take as much effort as jumping twenty fences or practising trot to halt transitions but it’s worth it. Put yourself on this simple exercise to try it.
Ride a 20m circle at E/B in any pace. (It’s well worth spending time in walk while you get a feel for it.) As your body turns onto the line of the circle your arms should move with it. Your hands should stay directly in front of your body. Push your thumb down onto the rein and tip it slightly forward so it’s pointing to the bit. Nag at yourself to keep at it. Your horse’s response should be encouragement enough.
Go large for half a circuit and return to the circle. It’s a simple thing but it’s enough to send you back to old habits. If your wrist is in line with the rein it stays relaxed and so does your horse. Tip your thumb towards the bit and keep it there.
This is such a small thing to change but it’s one that affects everything in such a positive way. You’ll find your horse is more willing to accept the contact in upward and downward transitions. Instead of pulling him back to a contact you’ll be pushing him forward to it.
In walk ride large round the school and get your leg on! If your wrist is in line with your elbow, rein and bit you’ll find your horse going into your hand – not coming back at you or jogging. Instead of pulling back when he nods his head you’ll start to feel as if you’re pushing him forward.
If you’re struggling to keep your horse in a steady outline, if he resists your hand the second you take up the reins or you think getting him on the bit is physically impossible try it. You’ve got very little to lose and everything to gain.
Good luck and enjoy your schooling. (And if you get a minute on or after the First of March come over to www.schoolyourhorse.com and say hi!)
Friday, 17 February 2012
Don't Fall Out - Get Even!
If your horse falls in or out do you bend him to the outside? Many riders do. In fact some seem to spend more time ‘flexing’ than they do riding forward. It works, of course, but why? It’s all to do with your contact on the outside rein – or lack of it. You take it up to flex him, balance out your contact and straighten him up. So if you’d had an even contact to start with … you get the idea.
Unlike you your horse doesn’t have a collar bone. His shoulders can go in two directions at the same time. Whatever you do with your hands he’ll do with his shoulders. Allow your hands to drift apart and so will his shoulders.
Wherever your hands point your horse will go. Things get complicated if they point in different directions. If your left hand is ‘pointing’ to the inside but your right hand is pointing straight on that’s what he’ll do. His inside shoulder goes left but his outside shoulder (and the rest of his body) goes straight on.
If your hands are together but your rein contact is uneven it has a similar effect on your horse. If the pressure is stronger on your inside rein he’ll lean towards it. His outside shoulder has nothing to bring it round so it carries on up the track. Eventually it has to turn but by then it’s too late. In a dressage test it’s a 4. In a round of jumps it’s probably 4 faults.
If your horse falls in he turns inside the line you want him to take. It’s caused by an uneven rein contact (a stronger inside rein) or by moving your inside hand to the inside. Turn your body to show him where you want him to go. Keep your contact even in both reins. Turn his shoulders before you turn his head by moving both hands together not by putting pressure on the inside rein.
If your horse falls out his head and neck turn before his outside shoulder. He takes a wider line than you wanted. It won’t matter how much outside leg you use – if you haven’t got a contact in your outside rein he’ll still fall out.
It can seem illogical keeping hold of a rein you want your horse to move away from but think of your reins as a pair of tram lines that keep your horse’s shoulders together. Keep his shoulders between those lines and whether you want an accurate turn, a square halt or a shoulder in you’ll have a much better chance of getting it.
Don’t use your hands to make corrections to your horse’s body or quarters. Use both legs. The more forward he is the straighter he’ll be. Increase the pressure from your outside leg if he doesn’t leave the track when you ask. If he tries to cut the corner a sharp nudge with your inside heel should pick him back up again.
Practise in walk and trot on a figure of eight. Use the two long diagonals rather than two circles. The two ends of the figure of eight are half circles but forget about asking for an inside bend. Focus on keeping an even amount of weight in both reins and pushing your horse forward to it from both legs.
As you reach a corner marker turn your body towards the marker at the end of the diagonal. Your horse will copy what you do and turn. Your contact shouldn’t change. Make a conscious effort to close your fingers around your outside rein as you leave the track.
The second your horse turns onto the diagonal straighten your body and hands to straighten him. Squeeze both reins to tell him to stop turning and push forward. And don’t get any ideas about lengthening his strides! Get him back on his hocks and into your hand. Leave the medium for another day.
As you reach the other side don’t do anything. The diagonal naturally takes him onto the new rein. Hold your contact and push him forward. He’ll go into your hand and – more importantly – his shoulders will turn onto the track together.
In canter ride half 10m circles between the ¾ and ¼ lines. With a younger horse ride half 15m circles from the track to the ¾ line. The lack of track or fence will make you aware of his shoulders and straightness.
As you start the half circles focus on holding both reins. Turn your body onto the line you want to take bringing your hands round in front of you. And look where you want to go! There is no better way of getting somewhere than looking at it.
Keep your horse’s head and neck straight in front of you until you’re sure you have total control of both sides. When you do introduce an inside bend do it by increasing the pressure from your inside leg NOT by increasing the pressure on your rein.
Many schooling problems are caused by lack of control of the shoulders. When things go wrong don’t panic. Forgetting about bend and getting your horse straight isn’t a backward step. It’s a giant leap forward towards a far more exciting level of riding.
Good luck and enjoy your schooling.
Saturday, 11 February 2012
Don't Stop into Trot!
When you ask your horse for a canter to trot transition does he tip his head up? Tuck his chin into his chest? Poke his nose? Tank off? Have you ever stopped to ask yourself why?
The easy answer is because he’s resisting your hand but surely there’s more to it than that? Why does he choose to resist your contact at that particular time? Could it be the instant you think about trotting you stop riding?
Riders have an uncanny knack of taking their legs off at the very moment they need them! You may be trying to stop your horse rushing off into trot by sitting as still as possible but that’s exactly why he can. Keep your body moving through your transitions and you’ll find his will too.
Establish canter on a 20m circle at E/B. It’s the best place to use as your horse won’t have the fence to guide him and you won’t be able to rely on it. Avoid using unnecessary aids and turn your body in line with the curve you want him to follow. He’ll copy what you do with your body. When his shoulders and hips are turned to the inside his body will bend round the circle.
Stay in canter for at least three circles. Think of the number of circles you’d do in trot without thinking and start to use your canter in the same way. It’s just a pace. Use it as such and you’ll find problems with transitions disappear as your horse starts to think canter is (depending on his temperament) less exciting or less exhausting.
The trick to this exercise is positive riding – and thinking. You have to believe your horse can do it. He can, of course, as long as you ride him forward – which is exactly what you haven’t been doing before. Your position is vital to keep his weight back on his hocks. Pull up through your body to get yourself as balanced as possible.
When your canter is settled the idea is to ask for trot as you cross the ¼ line (still on the 20m circle) and whatever happens change the rein onto a 10m circle as you cross the centre line. Sound impossible? It isn’t if you get your legs on! With a young horse just make the circle slightly bigger but keep the change of rein in.
Ask your horse to trot by closing your fingers around both reins to create a restrictive contact. Think of yourself as a clothes peg and press into the saddle with your thighs and knees to restrict his shoulder muscles. (Check this out to see how http://schoolyourhorse.blogspot.com/2010/12/other-way-of-stopping.html ) As you feel him trot hold the pressure until you’re happy with the speed. Releasing him too quickly allows him to rush, making him unbalanced, which is why he tightens his back, lifts his head or pokes his nose and tanks.
Never take your lower leg off because you’re slowing down. Push harder to keep your horse’s hocks under his body. When he steps under his body with his hind legs he stretches his back muscles (so he can’t tense or hollow) and he’s in a much better position to stay balanced.
As you approach the centre line be quick to turn your body towards the new rein. Turn your head so you’re looking at least half a circle ahead. Your horse will pick up this change in your body and copy you. Keep your contact even in both hands. But DON’T lift your inside hand! Do that and it won’t stop him falling in on the circle – it will only make him tip his nose to the inside. Support him with a strong inside leg and draw him away from the 20m circle with your outside leg.
Using a small circle to steady a horse isn’t a new idea but it can make matters worse if it’s on the same rein. Riders often get hung up on the inside bend and unwittingly start to draw their inside hand back - especially in canter. That draws their hand towards their hip and they curl their body to the inside. Their horse does the same.
If you’ve got this problem turning onto a small circle on the same rein just accentuates it. The smaller the circle the tighter you both curl up. This puts your horse out of balance and he’ll get faster and faster. (This is why when your instructor tells you to sit up it works. You sit up and straighten out your body and your horse instantly relaxes his.)
The change of rein stops horse or rider fixing on the inside simply because the inside suddenly becomes the outside. Even if you should make a grab for the new inside rein you’ll just balance out the pressure and your horse will go straight – and be balanced.
Ride the 10m circle for as long as it takes to settle your horse. The first few are likely to come as a bit of a shock to you both but he’ll settle quicker the more you do. In time you’ll be able to ride one circle and rejoin the 20m circle immediately. Ask for canter again and ride at least three circles before repeating.
With a more advanced horse you can move this exercise to the centre line. Canter down the centre line, trot after D/G and change the rein onto a 10m circle at X. Rejoin the centre line and ask for canter before the turn at the end. Put your horse to the test by varying the lead you ask for.
Having to ride the instant change of rein will really make you realise how little you usually do as you trot. This exercise is all about your faults not your horse’s. It’s one thing admitting that his problems are caused by you but how often do you really try to find out why?
Good luck and enjoy your schooling.
Posted by Unknown at 00:30 0 comments
Labels: balance in a transition, canter to trot, canter to trot transitions, evasion, even out your rein contact, making a horse work through his back, slowing horse down, tightening the back in canter transitions
Friday, 3 February 2012
Halt - The Stationary Pace
Will your horse stand still? Nobody likes a fidget, especially at the end of a dressage test, but before you blame him stop and think about what you do as you halt. There’s a strong possibility you’re trying to avoid him fidgeting. And that’s the problem!
If your horse is fairly sharp the chances are as you ask him to halt you relax your legs and hold your breath. If you don’t move he won’t move – right? Wrong! The trouble is the minute your legs leave his sides he’ll be thinking “What’s going on?” he’ll also tense up in anticipation of the next bit of leg that comes on to say walk or trot on.
However much your head is telling you not to when you ask your horse to halt you need to keep your legs on. This has two effects. It will reassure him – he’ll know where you are and be able to relax. It will also keep him listening. If your leg is there he’ll know something is about to happen and he’ll be waiting for your next aid.
Don’t think you’re immune if your horse is lazy either! There’s a fair chance that as he halts you both collapse in a heap because “at least you can stop pushing then”. Think again. Halt doesn’t just mean die. It needs energy and he needs to be ready to either move forward or rein back.
In any pace you know to ride your horse from your leg to your hand. Halt is no exception. Your contact is essential to contain the energy your legs create. Imagine a bottle of coke shaken up. With the lid on the drink fizzes and the bottle expands. With the lid off the drink leaks out and goes flat. Your hands are that lid. No contact = flat paces.
Think of halt as a stationary pace. Your horse should be so charged up that his back rounds as the energy inside him tries to escape but can’t. Tighten your fingers around your reins and keep them closed. Keep your calf muscles against his sides but leave your heels away.
If you’ve read http://schoolyourhorse.blogspot.com/2010/12/other-way-of-stopping.html you’ll know if you press your thighs and knees into the saddle you can bring a horse to a standstill. Try it from walk to halt. Walk round the arena and try halting at E and B. Get straight on the long side before you push your thighs into the saddle as hard as you can. This puts pressure against his shoulder muscles and he will slow down. As you reach E/B press both knees in tight and he’ll stop. You may need a slight squeeze on both reins to start with but he’ll soon learn.
To move on again release your thigh and knee and use a nudge with both heels. If your contact and calf muscles have kept your horse on the ball he should move straight into walk or trot.
Use the E/B line or the ¾ lines to practise walking or trotting into halt and out of it. Avoid the centre line as the last thing you need is your horse thinking he should halt halfway through your entry centre line.
When your horse stands in halt you must have some pressure in your hand. A horse that is light or nonexistent on your rein has no contained energy. He may swing his quarters to one side or ignore your aid to walk on again. The more you push him into the contact the more likely he is to stand still.
Sharpen him up by riding large round the school and asking for halt at every marker. Halt, count to three and then release your knee and use both heels. Soon he’ll be as attentive in halt as he ever is in trot and canter. When the halt is good you’ll feel him rock back onto his hocks. Keep your weight on your seat to help him stay balanced.
If your horse is crooked as he halts then it’s probably down to your position. He copies whatever you do with your body with his. If you’ve turned your body to the inside to come round a corner he’ll have done the same. If you straightened your shoulders up but forgot your hips then he’ll have done the same. As he halts his shoulders will be square on the track but his quarters will be to the inside.
If your horse moves after he’s halted it’s more likely to be uneven pressure. Most riders have a stronger and a weaker side. Be aware of yours. If the contact is heavier in one hand he’ll move his shoulders towards it. If the pressure from one leg is greater or one leg is further back than the other he’ll swing his quarters away from it.
Most dressage tests ask for immobility, salute. Be proud of the fact your horse will stand still. It’s a sign of engagement. Only a horse that is balanced on his hocks and moving forward into the rider’s hand can halt square, straight and still. Halt and immobility need as much energy as trot or canter – you just need to be prepared to create it.
Good luck and enjoy your schooling.
Posted by Unknown at 22:53 2 comments
Labels: crooked halt, halt, horse won't stand still, immobility, square halt, trot to halt
Friday, 27 January 2012
Are You Sitting Comfortably?
How many times have you been told to sit back on your seat? It’s good advice, of course, but the way you do it can have a huge effect on your position and your horse.
Most riders are aware of their two seat bones but what about your fork? That’s your pubic bone – or the front of your seat. (The bit nobody dares to mention!) It has to take some weight. How else can you support the weight of the front of your body?
Think about it. There’s a reason your feet stick out in front of you – they give you a broader area to support your body weight. When you get on a horse you take both feet off the floor yet suddenly you think you can support your whole weight on two small bones at the back of your seat. That’s like walking around on your heels. If you did that you’d spend most of your life falling over backwards! You can balance on your heels – try it – but your muscles would be so tense to maintain it you’d soon get tired.
Tip back onto your seat bones and you’ll put direct pressure onto your horse’s back in one small area. It’s the difference between being prodded with a finger or pushed with the palm of a hand. Is it any wonder some horses get tight behind the saddle?
Tip back onto your seat bones and your legs naturally swing forward, just as they do when you sit in a chair. Your body would like to tip backwards too but if – like many riders – you look down or lean forward you’ll end up in a slumped position or you’ll have a back like a banana. These things can all be corrected BUT if your seat is still at fault then tension moves to your hips and lower back as your body tries to hold everything in place.
Ideally you should aim to get your horse to take roughly ¾ of his weight on his quarters and ¼ over his shoulders. Think of your seat in the same way. Whilst your seat bones take the majority of weight your fork supports the rest.
Get on your horse and in halt sit straight down in the saddle. Forget about trying to find your seat bones. Aim to distribute your weight across the saddle as best you can. Allow your bum to look big on it! Anyone anticipating cutting themselves in half shouldn’t worry. If your saddle is big enough and you’re not tipping back (and therefore ‘exposing’ your fork) then you’re actually better protected!
In halt feel how your legs just hang down when you sit flat onto your seat. The weight should fall directly onto your stirrup. Let it. Leave your foot in a fairly flat position and move it so your heel is directly underneath your hip. A good guide is to look down at your knee. Your toe shouldn’t be visible.
Sit and focus on how it feels to have your weight supported over your whole seat. Now breathe in and pull your body up as if you’re trying to pull your vertebra apart. Pull the bottom of your ribcage out and forward. Be careful as you breathe in that you don’t tighten your seat, everything needs to stay soft.
In this position you are in self carriage. Your weight is evenly distributed, your muscles are relaxed and each part of your body is carrying itself without causing tension through the rest of your body. It’s what you expect your horse to do.
Still in halt push your heels down. As your heel pushes down your lower leg will swing forwards. Your seat will slip back and tense up. You’ll feel your knee tighten against the saddle. In halt this has little effect on your horse but do the same in trot or canter and you’ll find it’s impossible to sit in the saddle. If you can’t remain in contact with his back then you’ll find it difficult to control his speed, keep him balanced or shorten him up.
Ride forward in walk, trot and canter on 20m circles and serpentines but forget about your horse’s carriage and focus on yours. As your seat relaxes your leg will naturally hang longer meaning your heel will be lower than your toe but don’t force it. Keep your foot flat on the stirrup and allow your weight to fall directly onto it. Practise sitting trot with your weight spread over all three points of your seat and instead of thinking ‘heels down’ think ‘foot flat’.
On turns and corners concentrate on keeping your whole seat relaxed and in contact with the saddle. Keep the weight evenly spread and you’ll avoid direct pressure points. When you turn your shoulders onto the line you want your horse to take don’t forget to turn your hips. He’ll copy what you do with your body. If his shoulders turn but his hips go straight on his quarters will swing out on a corner or turn. You can put your outside leg back to correct it but whose fault was it anyway?
Some of the lightest riders can actually sit quite heavy in the saddle. It’s not about your weight in stones but what you do with it. Take responsibility for your own body weight. Distribute it around your saddle and make yourself as easy for your horse to carry as you can. Once you’re in self carriage you may be surprised to find he is too.
Good luck and enjoy your schooling.
Saturday, 21 January 2012
Set in Stone?
Once again can I just say a huge thank you to everyone who has voted so far to get me into the final 10 at the Equestrian Social Media Awards. If you like this blog and you haven't there's still time! Click on the logo at the top of this page and find me - Lorraine Jennings in section 21. Thank you :)
Does your horse set his neck? If he does it can feel as if you’ll never get him to bend but don’t despair! Before you head out to buy yourself some weights to build up your arm muscles take a look at where the tension is coming from and why.
Your horse could be setting against you for any number of reasons. It can be hard to believe when he appears to be doing his best impression of a rhino but there’s a good chance it comes from your hands.
The source of this tension usually lies in your horse’s lower jaw or at the base of his neck. If your hands are fixed or heavy he’ll set his jaw against them. Try it. Grit your teeth together and smile. Feel how the tension spreads to the front of your neck? If that’s what he’s doing his bottom line will be more developed than his topline.
If your horse started setting his jaw and tightening his bottom line then there’s a good chance you’ve tried to ‘get him off your hand’ by squeezing one rein and then the other. (That’s putting it mildly!) Don’t feel bad – most riders have done it. BUT tighten your jaw again, smile and then move your head from side to side and tilt your chin up. NOW you’ll feel the tension move to the back of your neck and settle at the base. If he’s doing this you’ll see a noticeable dip in front of his withers.
You may well be reading this thinking “But HE started it!” Maybe he did but unfortunately he’s a horse and so you’re the only one who can stop it!
In the case of the tightened jaw you need to look at your balance. When a horse starts to set themselves most riders lean back. There’s a big difference between leaning back and pulling up. Check out this post which shows you how to sit up and stay balanced to help your horse - http://schoolyourhorse.blogspot.com/2011/10/pull-up-to-ride-forward.html
When you lean back your weight goes to the back of the saddle and often your legs swing forward. This does two things. Firstly it puts direct pressure on one point of your horse’s back – that’s going to make him tighten his back. Secondly it means you’ll lean back against his mouth. Without realising it the one thing you’re doing to try to stop the problem could actually be causing it.
Pulling up through your body puts you in the perfect position for your horse to carry. Imagine if he was to disappear from under you. If you’re balanced then you’d land on your feet and stay upright. Lean back and if he disappeared you’d fall over backwards – which is exactly how you feel to him all the time you’re on his back.
Pulling your horse’s head to one side won’t make him bend. He needs to bend through his body. To bend his body you need to ride him from your legs. The emphasis in these exercises is on your legs not your hands so it’s important you keep them together and still. Remember your horse can only set on something if it’s solid. Hold the rein between your thumb and first finger so they don’t get too long but open and close the other three to keep your contact soft.
Trotting round and round the school either large or on a circle won’t help your cause. Your horse needs to get mobile. To do that you need an exercise that moves him from one rein to the other and allows him time to relax in between. Try this –
In walk or trot go large. Introduce 10m figures of eight at K, H, M and F that consist of two 10m circles joined by one stride on the centre line. These will get your horse moving and bending through his body. It’s vital you don’t pull back on your inside rein. As you approach the marker turn your body onto the curve you want to take and look ahead. Your hands should move round with your body – think of using them as a pointer to tell your horse where you want him to go. As you touch the centre line ride one stride straight and then turn your body the other way taking your hands round with you.
Your hands keep your horse’s shoulders on the right track and used by the girth your legs keep his quarters behind them. (Move a leg back and you’ll be pushing his quarters over and he’ll be crooked) What should change is pressure. Your inside leg should become stronger to push his body out and round. If he starts to step sideways then ‘catch’ him with your outside leg and push him forward.
As you ride straight on the centre line your leg pressure becomes equal. As your body turns to the new circle your new inside leg pushes his barrel out towards your outside leg again. In this way you’re taking what was a rigid barrel and making it pliable by pushing it from one leg to the other.
Put this theory to the test by setting your own jaw again. Now move your own barrel from side to side (you may want to try this behind closed doors!) You’ll find whether the tension is in your jaw or at the back of your neck it starts to disappear.
One figure of eight at a time is enough. As you continue to the next marker make a conscious effort to push both hands an inch further forward. You’ll find as he starts to use his body your horse will start appreciate that extra bit of rein as you straighten up on the long sides and without realising it his neck will soften.
It’s easy to feel frustrated when your horse sets himself against you but you can never win a battle of strength. However - you are more intelligent. Try to remember that the next time you lean back ready to take a pull!
Good luck and enjoy your schooling.
Posted by Unknown at 00:28 1 comments
Labels: horse sets its neck, how can I stop my horse setting his neck, how to use 10m figure of eights, loosening up a stiff horse through his back, My horse won't bend, walk and trot exercises
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